Castles in the Air
Series of concrete and gold mirror explorations.
Year - 2019
Castles in the air
Concrete, laser-cut gold mirror and metal mesh
320 × 220 cm
Year – 2019
Castles in the Air
There are ideas that are never meant to be built.
They remain suspended—intangible, ungrounded, dismissed as fleeting constructions of thought.
“Castles in the Air” begins there.
Not as an escape from reality, but as a quiet insistence that what is imagined can take form—can acquire weight, surface, and presence. The work emerges through a deliberate tension: metal shaped into movement, mineral matter carrying memory, mirror dissolving what it reflects. Each element resists its own nature, recalibrated to exist between solidity and suspension.
The piece does not settle.
It shifts with light, fractures with perspective, expands beyond its physical edge. What appears fixed becomes fluid. What feels ephemeral reveals structure. It is within this ambiguity that the work finds its permanence.
From this origin, a language unfolds.
The same dialogue between weight and lightness, presence and reflection, begins to move beyond the artwork—translating into space, into surface, into environment. Interiors across land and sea become extensions of this thinking: composed atmospheres where material is not applied, but orchestrated; where boundaries soften and perception extends beyond enclosure.
And then, further.
Into air—where the idea finds its most precise expression. Where constraint refines it. Where suspension is no longer an illusion, but a condition.
“Castles in the Air” is not a metaphor.
It is a constructed reality—one that continues to evolve, carrying its origin across new contexts, without ever losing the tension that defines it.
